Agent · Patron · Critic / journalist · Donor

Hiram Hitchcock

1832–1900 · United States

New York hotelier who held Luigi Palma di Cesnola's power of attorney, promoted his Cypriot finds in 1872 and later served the Metropolitan Museum as trustee and Treasurer.

Biography

Hiram Hitchcock was the friend in New York to whom Luigi Palma di Cesnola entrusted the sale of his Cypriot collections. Hitchcock was born in 1832, at Claremont according to Wikidata, though Marangou calls him a native of Hanover, New Hampshire1,17. He was one of the original proprietors of the Fifth Avenue Hotel, and Howe and Kent call him the last of the original members of the firm that opened it9. Marangou says his business was mining1.

Marangou writes that Cesnola met him soon after reaching the United States, around 1858, and that the two were friends for life1. About 200 letters from Cesnola to Hitchcock, dated 1863 to 1885, are at Dartmouth College1. She describes Hitchcock as Cesnola's financial adviser, lender and confidant, who held full power of attorney, received and cleared the shipments and wrote the promotional articles1. Hitchcock and his wife Mary visited Cesnola at Larnaca, in 1866 or 1867 depending on which passage of Marangou is followed1. Cesnola dedicated Cyprus: Its Ancient Cities, Tombs, and Temples (1878) to him "in token of a friendship of many years"2.

In 1872 Hitchcock spoke publicly about the finds. A speech of his on the Cypriot excavations drew an editorial in the New York Observer on 8 February1. The Executive Committee of the Metropolitan Museum voted on 6 March to ask him for a lecture, and he gave the Museum's first lecture, on Cesnola's discoveries in Cyprus9. In July his article "The Explorations of Di Cesnola in Cyprus" appeared in Harper's New Monthly Magazine10,11. Marangou describes it as written to impress the Museum's trustees1. Masson and Hermary note that it gave Salamis as the origin of the bull's-head statue (Metropolitan Museum 74.51.2463), where Cesnola had stated Golgoi in 18685,12.

The same year the shipment from Cyprus reached him in New York, and Cesnola told him to keep one box at his own house in New Hampshire1. When the Museum's president, John Taylor Johnston, passed on the trustees' doubts in a confidential letter, Hitchcock replied that he had no financial interest in the sale and offered to show Cesnola's correspondence with eminent Europeans1. For the second collection he held instructions to sell at $60,000, with a minimum of $50,000 in gold1. A telegram of November 1876 from the Museum to Cesnola reports an offer that "Hitchcock considered acceptable"1. In September 1877 Cesnola, in agreement with the Museum's president, asked him to prepare a summary article on the discoveries1. Marangou's own judgement is that without Hitchcock the Museum would probably not have bought either collection, nor appointed Cesnola1.

Cesnola gave Hitchcock a series of antiquities, dated to about 1871 by Masson and to about 1872 by the Hood Museum, which Hitchcock kept at Hanover3,15. Dartmouth College had given him an honorary A.M. in 1872 and he served as a college trustee from 1878 to 189213. He was elected a trustee of the Metropolitan Museum in 1885, a date the Museum's lamp catalogue gives as 1895, and became its Treasurer in 18929,16. Howe and Kent say he helped in effecting the purchase of the Cypriote antiquities9.

His first wife died in 1887, and Marangou reports that he then asked Cesnola's second daughter, Louise, to marry him, after which Cesnola stopped mentioning him in the letters1. In 1900 he married Emily Howe of Hanover9. He died at the Fifth Avenue Hotel on 30 December 19009,17. Emily Howe Hitchcock died in January 1912 and left Dartmouth College the di Cesnola collection of Cypriot antiquities, many of them duplicates of Metropolitan Museum pieces13.

Life and work

  1. 1858–1860
    Met Cesnola in New York soon after Cesnola reached the United States; they became close friends

    New YorkMarangou 2000, p. 77

  2. 1866–1867
    Visited Cesnola at Larnaca with his wife Mary

    LarnacaMarangou 2000, p. 79Marangou 2000, p. 167Marangou 2000, p. 367

  3. November 1868
    Cesnola wrote him that New York missionaries at Beirut would print a catalogue of his small collection for travellers

    Masson 1996, p. 3

  4. c. 1871
    Cesnola gave him a series of antiquities (duplicate 'packs'); later at Hanover, now Dartmouth

    Masson 1996, p. 12Potsherd with Inscription, Hood…

  5. 8 February 1872
    The New York Observer printed an editorial following a speech by Hitchcock on Cesnola's Cypriot excavations

    New YorkMarangou 2000, p. 226

  6. March 1872
    Delivered at the Metropolitan Museum the first Museum lecture, on Cesnola's discoveries in Cyprus (the Executive Committee voted on 6 March to ask him)

    New YorkHowe 1913, p. 150Marangou 2000, p. 367

  7. July 1872
    Published 'The Explorations of Di Cesnola in Cyprus' in Harper's New Monthly Magazine, which Marangou describes as preparing the ground for the Museum's purchase

    New YorkHitchcock 1872Mitchell 1887, p. 14Marangou 2000, p. 222Marangou 2000, p. 79

  8. 1872
    Received the shipment from Cyprus in New York; instructed to keep one box at his own house in New Hampshire for his personal use

    New YorkMarangou 2000, p. 221

  9. 1872
    Assured the Museum's president Johnston he had no financial interest in the sale and offered to show Cesnola's correspondence with eminent Europeans, after Johnston passed on the trustees' doubts in a confidential letter

    New YorkMarangou 2000, p. 232

  10. 1875–1876
    Held Cesnola's power of attorney and instructions to sell the second collection (asking $60,000, minimum $50,000 in gold)

    New YorkMarangou 2000, p. 254

  11. November 1876
    A telegram from the Museum to Cesnola reports that the offer was one 'Hitchcock considered acceptable'

    New YorkMarangou 2000, p. 279

  12. 29 September 1877
    Cesnola's letter asks him to prepare the summary article of the discoveries, agreed with the Museum's president

    Marangou 2000, p. 115

  13. 1885
    Elected to the Board of Trustees of the Metropolitan Museum

    New YorkHowe 1913, p. 279Marangou 2000, p. 335

  14. 1887
    After his first wife's death he asked Cesnola's second daughter Louise to marry him; Cesnola then stopped mentioning the matter in the letters

    Marangou 2000, p. 130

  15. 1892
    Became Treasurer of the Metropolitan Museum, serving to his death

    New YorkHowe 1913, p. 325

  16. 30 December 1900
    Died; in 1900 he had married Emily Howe of Hanover

    New YorkHowe 1913, p. 325Hiram Hitchcock (Q94654595)Losses to the college… 1912

  17. 1912
    His widow Emily Howe Hitchcock died in January and left the di Cesnola collection of Cypriot antiquities (many duplicates of Metropolitan pieces) and the homestead to Dartmouth College

    HanoverLosses to the college… 1912Potsherd with Inscription, Hood…Marangou 2000, p. 77

Connections

9 people

Sales, gifts & bequests

Family

Scholarship

Colleagues & contacts

Objects

  • Series of Cesnola antiquities given as a gift, incl. potsherd with inscription (Hood 12.1.165)

    From CyprusHood Museum of Art, Dartmouth 12.1.165c. 1871Potsherd with Inscription, Hood…Masson 1996, p. 12

  • 59 Roman-period terracotta oil lamps, gift of Cesnola

    From CyprusHood Museum of Art, Dartmouthc. 1871Lightfoot, p. 8

  • Several (mediaeval) weapons from the Famagusta armoury, obtained by Cesnola at Hitchcock's wish

    From Famagusta1866–1867Cesnola 1878

  • Box of ancient finds Cesnola told him to keep at his New Hampshire house 'for his personal use (or perhaps to dispense later to some American museum)'

    From Cyprus1872Marangou 2000, p. 221

Sources

  1. 1.A. G. Marangou (ed.) (2000). The Consul Luigi Palma di Cesnola 1832-1904: Life and Deeds.
  2. 2.L. P. di Cesnola (1878). Cyprus: Its Ancient Cities, Tombs, and Temples.
  3. 3.Olivier Masson (1996). “La dispersion des antiquités chypriotes: les deux collections Cesnola”. Cahiers du Centre d'Études Chypriotes 25, 3-32. Online
  4. 4.O. Masson (1990). “Cesnola à Amathonte, 1874-1875”. Cahiers du Centre d'Études Chypriotes 13, 15-18.
  5. 5.O. Masson (1990). “Correspondances chypriotes: lettres des frères Colonna-Ceccaldi et de L. Palma di Cesnola à W. Froehner”. Cahiers du Centre d'Études Chypriotes 14, 29-44. Online
  6. 6.O. Masson (1992). “Diplomates et amateurs d'antiquités à Chypre vers 1866-1878”. Journal des Savants, 123-154.
  7. 7. (1989). “chapter on Cesnola's documents”. Cyprus and the East Mediterranean in the Iron Age (BM Classical Colloquium, 1988), 88. Online
  8. 8.Veronica Tatton-Brown (ed.) (2001). Cyprus in the 19th Century AD: Fact, Fancy and Fiction. Oxford, Oxbow.
  9. 9.Winifred E. Howe (1913). A History of the Metropolitan Museum of Art, with a chapter on the early institutions of art in New York. Online
  10. 10.Hiram Hitchcock (1872). “The Explorations of Di Cesnola in Cyprus”. Harper's New Monthly Magazine 45. Online
  11. 11.E. C. Mitchell (1887). “The Bibliography of Exploration. A List of American Writers upon Biblical Archaeology and the Work of Exploration in Bible Lands”. Old Testament Student 6, 14-. Online
  12. 12.A. Hermary (2001). “Sculptures de la collection Cesnola: le prêtre à la tête de taureau”. Cyprus in the 19th Century AD: Fact, Fancy and Fiction, 153-155.
  13. 13. (1912). “Losses to the college community”. Dartmouth Alumni Magazine. Online
  14. 14.“Hitchcock, Hiram, 1832-1900 (agent record)”. Dartmouth College Rauner Library archives. Online
  15. 15.“Potsherd with Inscription, Hood Museum of Art 12.1.165”. Hood Museum of Art, Dartmouth. Online
  16. 16.Christopher S. Lightfoot. The Cesnola Collection of Cypriot Art: Terracotta Oil Lamps. Metropolitan Museum of Art.
  17. 17.“Hiram Hitchcock (Q94654595)”. Wikidata. Online