Scholar · Traveller / antiquarian · Photographer · Excavator

Camille Enlart

1862–1927 · France

French art historian whose 1896 mission to Cyprus produced L'art gothique et la Renaissance en Chypre (1899), including the first substantial account of the Royal Manor House at Kouklia.

Biography

Camille Enlart toured the Gothic monuments of Cyprus from February to June 18965. He was born at Boulogne-sur-Mer on 22 November 1862 and died in Paris on 14 February 19271. On 9 January 1896 he had written to Melchior de Vogüé that he had solicited the mission and, knowing from Rey and Louis de Mas Latrie that Vogüé held notes and drawings on Lapais, proposed to publish whatever Vogüé did not4. On the island he was helped by Major Chamberlayne, the Governor's private secretary5.

His L'art gothique et la Renaissance en Chypre (Paris, 1899, two volumes) gave the first substantial account, with a plan, of the Royal Manor House at Kouklia, and noted remains of the sugar-factory aqueduct there2,6,7. Bonato infers that Vogüé gave Enlart part of Edmond Duthoit's Cyprus drawings, among them four Bellapais watercolours, and that they were never returned; Enlart published two of the Bellapais drawings and two Buffavento sketches in the book4,5.

At Famagusta he also dug. In 1900 he turned up objects connected with the siege, which George Jeffery kept in his small store museum there, as Jeffery wrote in a letter of 22 December 19039. In 1901 he found the autograph of Jacques le Saige, dated 1518, scratched on a wall of St Francis, and allowed Claude Delaval Cobham to print his transcription of Hurtrel's manuscript8. His last Cyprus-related paper, on two French inscriptions, appeared in Syria in 1927 and included the epitaph of Jacques Dapel (1294) at Limassol3.

Life and work

  1. 9 January 1896
    Wrote to Vogüé that he had solicited a mission to study the Gothic monuments of Cyprus (the commission des missions was expected to grant it), knew from Rey and Mas Latrie that Vogüé held notes and drawings on Lapais, and asked to publish whatever Vogüé did not.

    ParisTatton-Brown 2001

  2. February–June 1896
    Toured the Gothic monuments of Cyprus; helped on the island by Major Chamberlayne, private secretary to the Governor.

    CyprusCaubet 1993

  3. 1896
    Vogüé probably gave him part of Duthoit's Cyprus drawings and the four Bellapais watercolours obtained from Henri Bernard; they were never returned. Enlart published two Bellapais drawings (pl. XIII, XIV) and two Buffavento sketches (communicated by Baron Rey) in 1899. A plate of a third Bellapais drawing survives in the Enlart photographic fonds.

    Tatton-Brown 2001Caubet 1993

  4. 1899
    Published L'art gothique et la Renaissance en Chypre (2 vols), including the first substantial account (with plan) of the Royal Manor House at Kouklia, and noting remains of the sugar-factory aqueduct there.

    ParisTatton-Brown 2001, p. 74Maier & Karageorghis 1984, p. 330Enlart 1899

  5. 1900
    Dug up 'the curious things connected with the famous siege' at Famagusta, which Jeffery placed in his small 'store' museum there.

    FamagustaStylianou-Lambert & Bounia 2016, p. 87

  6. 1901
    Found the autograph of Jacques le Saige (1518) scratched on a wall of St Francis, Famagusta; later allowed Cobham to print his transcription of Hurtrel's manuscript.

    FamagustaCobham 1908, p. 56

  7. 1927
    Published 'Deux inscriptions françaises trouvées à Chypre' (Syria 8), the first on the epitaph of Jacques Dapel (1294) at Limassol from a rubbing supplied by Louis Baldassarre.

    Enlart 1927, p. 2

Connections

8 people

Sales, gifts & bequests

Fieldwork & employment

Scholarship

Colleagues & contacts

Sources

  1. 1.Camille Enlart (Wikidata/GND record).
  2. 2.C. Enlart (1899). L'art gothique et la Renaissance en Chypre. Paris, Leroux.
  3. 3.C. Enlart (1927). “Deux inscriptions françaises trouvées à Chypre”. Syria 8.
  4. 4.Veronica Tatton-Brown (ed.) (2001). Cyprus in the 19th Century AD: Fact, Fancy and Fiction. Oxford, Oxbow.
  5. 5.Annie Caubet (1993). “Les antiquités chypriotes au Musée du Louvre”. Kinyras : l'archéologie française à Chypre. Lyon. Online
  6. 6.Veronica Tatton-Brown (ed.) (2001). Cyprus in the 19th Century AD: Fact, Fancy and Fiction. Oxford, Oxbow.
  7. 7.F. G. Maier, V. Karageorghis (1984). Paphos: History and Archaeology. 383 pp.. Nicosia, A. G. Leventis Foundation.
  8. 8.C. D. Cobham (1908). Excerpta Cypria: Materials for a History of Cyprus. Cambridge, Cambridge University Press. Online
  9. 9.T. Stylianou-Lambert, A. Bounia (2016). The Political Museum: Power, Conflict, and Identity in Cyprus.
  10. 10.V. Karageorghis, F. Rizopoulou-Egoumenidou, D. Papanikola-Bakirtzis, C. Elliott (1985). Ancient Cypriote Art in the Pierides Foundation Museum.
  11. 11.D. Symons (1987). “Rupert Gunnis (1899-1965)”. Cahiers du Centre d'Études Chypriotes 7, 3-9. Online
  12. 12.Veronica Tatton-Brown (ed.) (2001). Cyprus in the 19th Century AD: Fact, Fancy and Fiction. Oxford, Oxbow.