II · The registers · The catalogue

Every object, classified the same way

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The catalogue brings together objects from museums around the world, from the tombs in our tomb register and from the photographs in the Archive, and describes every one of them with the same vocabulary: what kind of object it is, its ware and series, its shape, its decoration and motifs, what it is made of, when and where it was made, and where it was found.

So objects of one kind can be found together wherever they are recorded: a jug of one ware in a museum’s records, another in the report of the tomb it came from, a third in a photograph taken at the excavation.

objects
90,489
objects
catalogue pieces
7,405
catalogue pieces
from excavation reports
35,619
from excavation reports
from museum records
43,445
from museum records
in Archive photographs
14,242
in Archive photographs
terms in use
391
terms in use

What is in it

Where the objects come from

The catalogue has two kinds of record. The 7,405 catalogue pieces each have a full entry of their own: objects in museums and in our own collection, with their pictures, descriptions and references. The 83,084 object entries are built from what is recorded elsewhere on the site: the finds listed in the excavation reports of the tomb register, the records of museums that publish their collections, and the objects in the Archive’s photographs.

Where two sources describe the same object, they are joined into one entry: 8,908 objects are known from more than one, and 1,314 from all three.

Objects by the records they are known from

Objects by the records they are known from
Excavation reportMuseum recordArchive photographObjectsCount
Catalogue piece7,405
35,506
27,556
11,114
5,780
1,314
969
845

By museum or collection

Catalogue pieces Object entries from the museum’s records

And 93 pieces in 12 smaller collections. Objects known only from an excavation report or a photograph are not counted here.

By period

Counted where the record gives the period or it can be read from the object; many records give only a date in years, or none.

The catalogue, two facets at once

Ware by shape, period by material, findspot by ware

Every object in the catalogue, counted by any two of its facets: which shapes were made in which wares, which materials in which periods, which wares were found at which sites, which museums hold which kinds of object. Choose a number to see the objects behind it, and where each is recorded: in the catalogue, a museum’s records, an excavation report or a photograph in the Archive.

A heading marked › divides into the terms below it: a ware into its numbered series, a shape family into its types, a period into its phases.

Two facets at once90,489 objects, counted in your browser
The catalogue loads as you reach it

An object with several values for one facet (a vessel of clay and bronze, a jug painted with birds and fish) is counted under each of them, and once in the totals. The catalogue’s own search does the same with every facet at once and free text besides: search the catalogue.

The vocabulary

Every term, and how many objects carry it

The vocabulary has 410 terms in 9 facets, and 284 sites as findspots. Terms nest: a ware family holds its numbered series and named variants, a shape family its specific types, a period its phases. Each term says what it covers and what it does not, gives the other names it goes by in museum records and the literature, and its dates where it has them.

Open a family to see the terms inside it; choose a term to read its scope note and see its objects.

The vocabularyChoose a facet, then a term

How it is made

One object, classified

Each object is read against the vocabulary from its own record, facet by facet. Here is one from our own collection, with every value it was given and how many objects in the catalogue share it. Each value links to the others.

Bichrome IV Jug with a Waterfowl Catching a Fish
Bichrome IV Jug with a Waterfowl Catching a Fish

The Drakopoulos Collection · 750–600 BC

The classification of Bichrome IV Jug with a Waterfowl Catching a Fish
FacetTermObjects with it
Object typePottery vessel31,305
WareBichrome ware (Iron Age) › Bichrome IV519
ShapeJug10,361
StyleFree-Field Style96
DecorationPainted › Painted in two colours1,123
MotifsBirdFish26719
MaterialClay39,588
PeriodIron Age › Cypro-Archaic4,455
Place of productionCyprus23,851

One vocabulary for every object

Object type, material, period, place of production, decoration, motif and findspot apply to everything, from a pin to a statue. Pottery adds its ware, shape and painting style.

Ware and shape are kept apart

A ware is a class of pottery defined by its clay, surface and firing; a shape is the form of the vessel. A jug can be of any ware, so the two are separate facets and can be combined.

The most specific term the record supports

A vessel is classified as Red Polished III where its record says so, and as Red Polished where it does not. A broad term always includes everything below it. Numbered series follow the Swedish Cyprus Expedition's system.

Stated or deduced

A value read in the object's record is distinguished from one deduced from its shape, date or a close parallel. Deduced values are marked “probably”; numbered series are never guessed.

Wares of the same name, kept apart

White Painted, Black Slip, Plain White and Bichrome each name one ware of the Bronze Age and another of the Iron Age. They are separate terms, and the object's date decides between them.

Imitations

A jar made in Cyprus in the Mycenaean manner is classified as Mycenaean pottery made in Cyprus: the ware says what it looks like, the place of production where it was made.

Where each value comes from

For the object entries, every value is copied from the source named against it on the object's page: the excavation report, the museum record or the Archive's record of the photograph. The records are joined by catalogue and museum numbers and by matching photographs.

Read twice

A sample of the classified objects was read again, independently, and the differences settled against the records. Problems found in the records themselves are listed for correction.

Two of the rules at work

A three-handled jar in our collection: Mycenaean pottery by its ware, made in Cyprus by its place of production, and its period deduced rather than stated in its record, so marked “probably”.

The classification of Cypriot Three-Handled Jar in the Mycenaean Style with Running Spirals
FacetTermObjects with it
Object typePottery vessel31,305
WareMycenaean pottery1,048
ShapeJar › Piriform jar49
DecorationPainted4,593
MotifGuilloche and spiral66
MaterialClay39,588
PeriodprobablyBronze Age › Late Cypriot (Late Bronze Age)4,669
Place of productionCyprus23,851

Start here

Objects and terms to begin with

Three objects that show how records are joined, and five terms that open onto large groups of objects.

Using it

Licences, credits and citing

The object entries, our compilation of the tomb register, the museum records and the Archive’s records, are published under a Creative Commons Attribution-NonCommercial 4.0 licence, as is the tomb register itself. Photographs keep their own licences, given with each on the object’s page with the credit that goes with it. Each catalogue piece’s page names the museum or collection that holds it. The site is non-commercial and free to use.

To cite an object, give its title, the museum or collection and its number where it has one, “Ancient Cyprus”, the address of its page and the date you consulted it. An object entry’s page names the excavation report or museum record each value was copied from: cite those too.

Where it is

Search the catalogue
every object, filtered by any facet, museum or source, and by words
Browse by term
each facet with its most common terms
A facet
its whole tree of terms, with the number of objects under each
A term
its scope, dates, other names, series and objects
Objects in the Archive
the objects in the Archive's photographs, object cards and drawings

The holders

Records and pictures from Medelhavsmuseet, British Museum, Penn Museum, Ashmolean Museum, Musée du Louvre, Metropolitan Museum of Art, Museum Gustavianum, met, fitzwilliam, Museum of Archaeology and Anthropology, Cambridge, Ontario Museum, Larnaca Museum, Cyprus Museum, Nicosia, rom, cyprus-museum, Cyprus Museum, Jacksonville, Liverpool Museum, natmus, Pierides Museum, Larnaca, karlsruhe, Ringling Museum of Art, Hunterian Museum, berlin, Kourion Museum, joconde, Vienna Museum, khm, mfa, smithsonian and hood, and the excavators whose reports the tomb register reads. We are grateful to every one of them.

Own a Cypriot antiquity? We can help you find what it is and where it belongs in the catalogue. Contact us: our advice is confidential, unless the law requires us to share it. What to do with an antiquity.

What comes next

What we are adding

  • Subjects for figurines and sculpture

    What a figurine or statue represents: a votary, a horse and rider, a temple boy, a deity. The terms are drafted; the objects are next.

  • Forms for objects that are not vessels

    The specific form of a tool, weapon or ornament: a dagger, a toggle pin, a fibula, a spindle whorl, a scarab.

  • Parts of fragments

    Which part of an object a fragment is: a head, a torso, a statue base, a rim, a handle.

  • Wares read from photographs

    A ware for the vessels whose records name none, read from their pictures.

  • Findspots outside Cyprus

    Cypriot objects found abroad, placed at the sites where they were found.

  • Written entries

    Full written entries for the most important objects, which then join the catalogue.