Museums·Roundup

This Week in Cypriot Archaeology: 13–19 April 2026

The Idol of Pomos, the Chalcolithic picrolite figure on Cyprus's 1- and 2-euro coins, wears a small copy of itself at its neck. It is on show in the Cyprus Museum.

Alexis Drakopoulos

By Alexis Drakopoulos

Published (Cyprus time)

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Title card reading Week 16, 2026 and This Week in Cypriot Archaeology in dark serif type on a cream ground, with a faint outline of Cyprus in the lower right corner
Image: ancientcyprus.com

The week's story is a single object: the Idol of Pomos, a cross-shaped stone figure of about 3000 BCE that Cyprus has carried on its 1- and 2-euro coins since 2008, profiled on 13 April by Live Science.

Map of Cyprus

This week's story

  • Found
  • Displayed
  • Ground above 200, 500, 1,000 m

Sites on this map

  1. 1Pomos (approx.)
  2. 2Cyprus Museum, Nicosia (approx.)
The Idol of Pomos was found at Pomos in the early 1930s and is shown today in the Cyprus Museum in Nicosia.Modern coastline (OpenStreetMap) and relief (Copernicus DEM). Tap or hover a site for its name and page.

Museums

A pale green stone figure with outstretched arms, bent legs and a carved face, wearing a tiny figure of the same cross shape on its chest, standing in a museum case
The Idol of Pomos in the Cyprus Museum, Nicosia: picrolite, 15.3 cm high.Es42, CC BY-SA 4.0, via Wikimedia Commons

Porphyrios Dikaios found the figure in the early 1930s while excavating in the village of Pomos, on the island's northern coast. It is 15.3 cm tall, carved from picrolite, a soft green stone native to the Troodos mountains, and belongs to the Chalcolithic, the Copper Age of Cyprus. Today it is displayed in the Cyprus Museum in Nicosia.

Unlike most cruciform figurines, whose faces are left blank, this one has eyes, a nose and a cap with ears. A miniature cruciform hangs at its neck; only a few cruciforms, in picrolite or clay, are shown wearing such a pendant [1, p. 152]. Edgar Peltenburg suggested that figures of this kind might be birth charms or fertility deities. Joan R. Mertens, who wrote on the Pomos figure as an assistant curator at the Metropolitan Museum of Art, thought its long neck and flat back meant it may once have been hung up.

Later work has questioned both the goddess and the birth readings. Diane Bolger and Elizabeth Goring rejected the Mother Goddess interpretation, and Bleda Düring points out that picrolite cruciforms rarely show the figure's sex and stand with their legs pressed together, unlike the clay birthing figures from Kissonerga-Mosphilia [1, pp. 151–152].

Original source

On ancientcyprus.com

Institutions
Cyprus Museum

References

  1. 1.Düring, B. S. (2023). Reconsidering Cruciform Figurines of Chalcolithic Cyprus. In B. S. Düring & P. M. M. G. Akkermans (Eds.), Style and Society in the Prehistory of West Asia (pp. 149–156). Leiden: Sidestone Press.

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