Museum

Byzantine Museum and Art Gallery, Archbishop Makarios III Foundation

Nicosia, Cyprus · founded 1978

Museum in Nicosia, founded 1978; part of Church of Cyprus. 2 people in the register connected with it.

The Cypriot collection

Church-of-Cyprus museum of icons and other Byzantine and post-Byzantine ecclesiastical art; it is not an antiquities collection.

Stylianou-Lambert & Bounia 2016, p. 90

History

  1. 1936
    112 icons were gathered in three rooms of the Church of Panagia Phaneromeni, Nicosia, the start of the collection later housed in the Byzantine Museum; the collection was studied by the Church Committee and G. Soteriou, who prepared a display plan (attributed there to Eliades 2008).

    NicosiaGeorgios M. SoteriouStylianou-Lambert & Bounia 2016, p. 90

  2. 1978
    Archbishop Chrysostomos I and President Spyros Kyprianou signed the founding act of the Cultural Centre of the Makarios III Foundation in Nicosia, from which the Byzantine Museum came into being.

    NicosiaArchbishop ChrysostomosStylianou-Lambert & Bounia 2016, p. 90

  3. 1989–1991
    The four Kanakaria apse mosaics (Christ Child, Archangel Michael and others), lost by Peg Goldberg at the 1989 Indianapolis trial and later shown in Indianapolis, arrived in Cyprus in early September 1991; Hofstadter saw them in a back room of the Byzantine Museum, Nicosia. The sources give the dates of the trial and the museum's custody only as Hofstadter reports them.

    NicosiaPeg GoldbergHofstadter 1994

People

2 people

Staff and members · 2

Objects

Sources

  1. 1.T. Stylianou-Lambert, A. Bounia (2016). The Political Museum: Power, Conflict, and Identity in Cyprus.
  2. 2.Dan Hofstadter (1994). Goldberg's Angel: An Adventure in the Antiquities Trade.
  3. 3.C. A. Stewart (ed.), T. W. Davis (ed.), A. Weyl Carr (ed.) (2014). Cyprus and the Balance of Empires: Art and Archaeology from Justinian I to the Coeur de Lion. CAARI / ASOR.
  4. 4.Deborah Hoover (1990). “Museum Collections at Risk: Standards of Diligence for Protecting Your Monet”. Journal of Arts Management and Law 20, 37-62. Routledge. Online