Restorer / conservator
Theodore Gehlen
fl. 1872–1884 · Germany
Wood-carver who repaired and assembled Cesnola's Cypriot sculpture in New York, then testified in 1883 that he had made missing noses, limbs and drapery in plaster.
Biography
Theodore Gehlen was the man who put Cesnola's broken Cypriot statues back together, and in 1883 he told a New York court how. Marangou calls him a German cabinetmaker expert in mending old furniture1. In his own testimony he described himself as a wood-carver who in his native Westphalia had studied Greek, Roman and Assyrian art as a draughtsman and exhibited carvings2. The Art Amateur prints his name as "Feodor Gehlen", Marangou's text as "Theodore"1,2.
He worked for the Metropolitan Museum's authorities for six months at Fifth Avenue and Fifty-third Street and for two years at Fourteenth Street, and said Russell Sturgis had introduced him to Luigi Palma di Cesnola2. Called as a witness for Felix-Bienaime Feuardent, he testified that Cesnola designated which fragments were to be joined. He sawed, joined and filled them with plaster of Paris, made parts of heads, hair, ears, noses, limbs and drapery in plaster, and shaped some noses "according to his own ideas". He said he built a leg of four stone pieces for the one-legged Hercules, gave the "bearded Venus" a dove with a wooden wing and tail under plaster, and turned a stone face into a female head. Plaster was used, he said, because it was easier and Cesnola was in a hurry to have the figures ready for the opening2. Cesnola's letters to Hutchins from Cyprus, read in court, called his work "in every way excellent and satisfactory"2.
At the end of the trial Cesnola told the jurors that Sturgis was mainly responsible for Gehlen's repairs; Sturgis wrote from Florence that this was wholly untrue3. Charles Balliard later replaced Gehlen's leg and sandals on the Hercules at Central Park2. Nothing is recorded of Gehlen's life after the trial.
Life and work
- 1872–1873Employed by the Metropolitan Museum authorities, introduced to Cesnola by the trustee Russell Sturgis; first six months at Fifth Avenue and Fifty-third Street, then about two years at Fourteenth Street (Douglas Mansion).
- 1873Restored and assembled the first Cesnola collection of Cypriot sculpture in the basement workshop of the Douglas Mansion, 14th Street, under Cesnola's supervision: joined fragments, made missing heads, noses, ears, limbs and drapery in plaster and cement, and applied a stone-dust wash.
New YorkMarangou 2000, pp. 141The Feuardent-Cesnola Trial 1883, p. 23
- 1873Built a leg of four stone pieces for the one-legged Herakles and refitted its feet on a base by sawing one foot off; gave the 'bearded Venus' a dove with a wooden tail and wing under plaster; converted a stone face into a female head with plaster head, hair and ears; added an arm, foot, toes and laced sandals to a priest statue.
- 1873Gehlen's final testimony: when Cesnola went to Europe in 1873 he gave him two baskets of fragments with instructions to convert them into vases and pots as best he could; on his return Cesnola complimented him on the result.
- 1873–c. 1875Other witnesses on Gehlen's workshop: Hutchins (Assistant Superintendent in 1873) said Gehlen was a repairer in the employ of the Museum Association, with a workshop in the basement of the Fourteenth Street building, working under Cesnola's direction and supervision and repeatedly complimented by him; that under Cesnola's direction Gehlen supplied the priest's missing forearm and hand (re-fixed 'twice or three times' after leaks), and re-restored the largest head's nose at Hutchins's direction. Henkel said Gehlen took charge after a Mr. North and worked on pieces 'under Mr. Di Cesnola's directions for periods ranging from a few hours to a week at a time', with Henkel as helper. Alley said he did not see Gehlen working.
New YorkThe Feuardent-Cesnola Trial 1883, p. 23The Feuardent-Cesnola Trial 1883, p. 24
- 1873Five letters from Cesnola in Cyprus to Hutchins were put in evidence: the first asked him to secure some of the peculiar glue used by 'that German artist' and complete directions for its use ('because I want to use it here'); another asked him to see that the cement was not started by cold weather and to tell the German artist there would be more restoration work when Cesnola returned; the others thanked 'the German artist' for his glue, told Hutchins to have him get his pay from Mr. Sturgis for the glue forwarded, and said 'tell him that his work has been in every way excellent and satisfactory'.
Cyprus / New YorkThe Feuardent-Cesnola Trial 1883, p. 23
- c. 1880Henkel testified that at the Central Park museum Balliard cut off the sandals Gehlen had put on a priest statue and replaced them, and replaced Gehlen's Hercules leg and iron rod with a new stone leg and a brass rod. Hermary and Mertens (2014) date the restoration work by Gehlen and Balliard 'around 1879-80, after the relocation of the objects to the new museum building', which does not fit Gehlen's own testimony that he worked at Fourteenth Street.
New YorkThe Feuardent-Cesnola Trial 1883, p. 24Hermary & Mertens 2014
- October–December 1883Testified for the plaintiff in Feuardent v. Cesnola (US Circuit Court, Judge Shipman). Examined by F. C. Bangs for Feuardent; Stickney, for Cesnola, put questions about the Hercules as now shown at Central Park (Gehlen: 'looks taller, and the feet are not the ones originally belonging there'; Stickney: 'As you think'; Gehlen: 'No; as I know'). He said Cesnola designated the parts to be joined and told him to restore the statues 'as like the originals as possible'; that plaster was used because it was easier and Cesnola was in a hurry for the opening of the museum; and that he had put on ears and noses 'according to his own ideas'. Marangou's version has him say Cesnola told him to make the noses 'as nearly right as possible' and that he 'adapted them as well as I could to the fragment'.
New YorkThe Feuardent-Cesnola Trial 1883, p. 23Marangou 2000, p. 325
- 1883NamedWitness for the plaintiff in Feuardent v. Cesnola; not a party.
- 1884At the close of the trial Cesnola told the jurors that Russell Sturgis was mainly responsible for Gehlen's repairs; Sturgis, in a letter from Florence published in the Evening Post, called this wholly untrue and said he never had anything to do with Gehlen's work on the Cesnola sculptures.
New YorkThe End of the… 1884, pp. 96-97
Connections
8 peopleFieldwork & employment
- Employed by Luigi Palma di Cesnola1873
Disputes & the law
- Testified about Francis Bangs
Colleagues & contacts
- Connected with Russell Sturgis1872
- Worked with Charles Henkel1873–1874
- Connected with Henry G. Hutchins1873
- Succeeded Mr. North1873
- Connected with Charles Balliardprobably1880
- Connected with Francis Bangs1883–1884
- Connected with Mr. Stickney1883
- Preceded Charles Balliard
Sources
- 1.A. G. Marangou (ed.) (2000). The Consul Luigi Palma di Cesnola 1832-1904: Life and Deeds.
- 2. (1883). “The Feuardent-Cesnola Trial”. The Art Amateur 10, 23-24. Online
- 3. (1884). “The End of the Feuardent-Cesnola Trial”. The Art Amateur 10, 96-97. Online
- 4.A. Hermary, J. R. Mertens (2014). The Cesnola Collection of Cypriot Art: Stone Sculpture. New York, Metropolitan Museum of Art.