
Late Bronze Age I
Terracotta statuette of a woman
The figure is hollow, unlike others of its type. The elongated ovoid body is swollen in the middle and narrows toward its head and legs. H. 10 7/16 in. (26.49 cm)
Classification
- Object type
- Terracotta figurine
- Material
- Clay
- Place of production
- probablyCyprus
- Findspot
- Alambra
- Date
- 1725 - 1450 BC
Accession No.
74.51.1544
Collection
Provenance
- Said to be from a rock-cut tomb at Alambra
References
- Doell, Johannes. 1873. Die Sammlung Cesnola. no. 839, p. 59, pl. XIV.8, St. Petersburg: L’Académie Impérial des Sciences.Cesnola, Luigi Palma di. 1877. Cyprus: Its Ancient Cities, Tombs, and Temples. A Narrative of Researches and Excavations During Ten Years' Residence in That Island. p. 89, pl. VI, London: John Murray.Cesnola, Luigi Palma di. 1894. A Descriptive Atlas of the Cesnola Collection of Cypriote Antiquities in the Metropolitan Museum of Art, New York, Vol. 2. pl. II.12, Boston: James R. Osgood and Company.Metropolitan Museum of Art. 1895. The Terracottas and Pottery of the Cesnola Collection of Cypriote Antiquities in Halls 4 and 15. no. 9, p. 2, New York: The Metropolitan Museum of Art.Myres, John L. 1914. Handbook of the Cesnola Collection of Antiquities from Cyprus. no. 2004, p. 333-34, New York: The Metropolitan Museum of Art.Åström, Lena. 1972. The Swedish Cyprus Expedition: The Late Cypriote Bronze Age: Other Arts and Crafts, Vol. 4 Pt. 1D. fig. 16.4, Lund: The Swedish Cyprus Expedition.Karageorghis, Vassos. 1976. The Civilization of Prehistoric Cyprus. no. 103, p. 131, Athens: Ekdotike Athenon.Karageorghis, Jacqueline. 1977. La grande déesse de Chypre et son culte à travers l'iconographie de l'époque néolithique au VIème s.a.C.. p. 65, Lyon: Maison de l'Orient.Orphanides, Andreas G. 1983. ""Bronze Age Anthropomorphic Figurines in the Cesnola Collection at the Metropolitan Museum of Art." Master's Diss.." Master's Diss. no. 11, pp. 13-14, pl. IV.Karageorghis, Vassos. 1991. The Coroplastic Art of Ancient Cyprus, Vol. 1. no. Ea.11, p. 178-79, pl. CXL.9, Nicosia: Foundation Anastasios G. Leventis.Barnes, Lorna and Ellen Salzman. 1998. "Preliminary Investigations of Surface Decoration on a Group of Ancient Terracottas from Cyprus." Glass, Ceramics and Related Materials : ICOM Committee for Conservation Glass, Ceramics, and Related Materials Working Group, & Institute of Arts and Design Department of Conservation Studies, Alice B. Paterakis, ed. pp. 76-77, fig. 1, Vantaa, Finland: EVTEK Institute of Art and Design, Dept. of Conservation Studies.Karageorghis, Vassos, Joan Mertens, and Marice E. Rose. 2000. Ancient Art from Cyprus: The Cesnola Collection in The Metropolitan Museum of Art. no. 9, pp. 22-23, New York: The Metropolitan Museum of Art.Picón, Carlos A. 2007. Art of the Classical World in the Metropolitan Museum of Art: Greece, Cyprus, Etruria, Rome no. 265, pp. 228, 458, New York: The Metropolitan Museum of Art.Stylianou, Andreas and Patrick Schollmeyer. 2007. "Der Sarkophag aus Golgoi." Dynastensarkophage mit szenischen Reliefs aus Byblos und Zypern: Der Sarkophag aus Amathous als Beispiel kontaktinduzierten Wandels, 2. p. 118, n. 924, Mainz am Rhein: Philipp von Zabern.Karageorghis, Vassos, Gloria Merker, and Joan R. Mertens. 2016. The Cesnola Collection of Cypriot Art : Terracottas. no. 7, pp. 19-20, 252, Online Publication, [CD-Rom 2004], New York: The Metropolitan Museum of Art.
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