Iron Age Wheel-made White Painted Plates

Three wheel-made plates in the Drakopoulos collection belong to the White Painted ware of the Cypro-Geometric period, c. 1050 to 750 BC, and like their excavated counterparts they carry their main painting on the underside.

Alexis Drakopoulos

Alexis Drakopoulos

April 14, 2024·Discussion · Collection·2 min read

Email IconLinkedIn Icon

Share

Twitter IconFacebook IconLinkedIn IconEmail Icon
The underside of a large Cypro-Geometric White Painted plate in the Drakopoulos collection, painted in dark matt paint on pale buff clay with two loop handles and a cross of four painted arms, filled with crossed lines and chequered triangles, set round a ring and a small target of circles at the centre.

The three plates on this page have sometimes been described as "White Slip," a name that does not fit them. White Slip is a handmade ware of the Late Bronze Age, with a thick white coating and quite different shapes. These plates were thrown on the wheel in the early Iron Age and painted in a single dark matt paint on pale buff clay: they are White Painted ware of the Cypro-Geometric period.

The flat two-handled plate is one of the few Cypriot shapes whose first appearance can be dated. Maria Iacovou showed that it does not occur in Proto-White Painted, the pottery of the 11th-century transition from the Bronze Age. It is "a shape of local inspiration that appeared first in the White Painted, Bichrome and even Black Slip Painted wares of advanced Cypro-Geometric I groups," and "its circulation is indeed limited to the Cypro-Geometric period" [1, p. 202].

On these plates the main design goes on the underside, and the interior carries little more than a few rings and a dark rim. On the largest, 40 cm across with its handles, four arms of parallel lines cross the base like the spokes of a wheel round a small target of circles, two of them framing chequered triangles. The excavators of recent tombs at Palaepaphos-Skales concluded that "these dishes must have been displayed, when not in use, since their main decoration is confined to the base" [3, Tomb 203]. That remains a hypothesis.

The second plate, 33 cm across, has four framed, cross-hatched triangles radiating from a ring of concentric circles, with four freehand wavy lines between them. The Swedish excavators recorded the same scheme in Lapithos Tomb 408, where a White Painted I plate 34.5 cm across has "four lattice triangles meeting in a circle on base" [2]. Both of these plates are dated c. 1050 to 850 BC.

The third and smallest, 25 cm across, has a closed ring of solid triangles pointing outward round a nest of circles, so that the underside reads as a star. Its shape and the weight given to concentric circles suggest a later date, c. 950 to 750 BC, and its closest parallels, in the Hermitage and in Atlanta, are dated by their museums into the Cypro-Archaic.

The plates and their place in the Cypro-Geometric repertoire are covered in Lesson 7 of the pottery course, and the shape itself in the compendium's dish entry.

References

  1. 1.Iacovou, M. (1991). Proto-White Painted pottery: a classification of the ware. In J. A. Barlow, D. L. Bolger & B. Kling (Eds.), Cypriot Ceramics: Reading the Prehistoric Record. Philadelphia: University Museum, 199–205.
  2. 2.Gjerstad, E., Lindros, J., Sjöqvist, E. & Westholm, A. (1934). The Swedish Cyprus Expedition I: Finds and Results of the Excavations in Cyprus 1927–1931. Stockholm: Swedish Cyprus Expedition, Lapithos Tomb 408, no. 6.
  3. 3.Karageorghis, V. & Raptou, E. (2016). Palaepaphos-Skales: Tombs of the Late Cypriote IIIB and Cypro-Geometric Periods (Excavations of 2008 and 2011). Nicosia.