Excavator · Collector · Dealer

The Cesnola brothers (Luigi and Alessandro Palma di Cesnola)

fl. 1865–1988 · Italy

Luigi and Alexander Palma di Cesnola, brothers whose Cypriot finds reached London and Turin, and whose findspot statements Max Ohnefalsch-Richter attacked in print in 1884.

Biography

Some of the Cypriot antiquities that reached London and Turin in the 1870s and 1880s are recorded under the name of both Luigi Palma di Cesnola and Alexander Palma di Cesnola, who each dug at Cypriot sites1. What was written about the two together falls into three parts: an attack on both in print, a London exhibit of Alexander's finds, and the Turin gifts that cannot be divided between them.

The accusation of 1884

In 1884 the Repertorium für Kunstwissenschaft printed "Alterthumsfälscher auf und mit Cypern" by Max Ohnefalsch-Richter, himself an excavator and seller of Cypriot antiquities1. He wrote that the brothers gave false findspots in great numbers. Many of Luigi's pieces labelled Golgoi and Kurion, he said, had not been found at Athienou or Episkopi, and neither had many of Alexander's from Salamis, between Ayios Sergios and Enkomi1.

He added two claims about Alexander. According to Ohnefalsch-Richter, Alexander showed him how he built whole statuettes from fragments, and Alexander's former foreman Lazari offered him glue left over from the same work1. Of the two brothers he gave the "lion's share" of the deceptions to Luigi, the elder, while holding that Alexander's findspot statements and restorations were no less unreliable1. He also announced a forthcoming book by J. de Morgan against Luigi1.

These are one rival's statements, and no court ruled on them. The same issue reported a separate civil suit, Feuardent against Luigi Cesnola, then being heard at the United States Circuit Court in New York1. A footnote in the Mittheilungen of the German Archaeological Institute at Athens, also of 1884, says that Menant and Perrot treated Cypriot cylinder seals inadequately, both having relied on the brothers' notes of provenance8.

London and Turin

At a meeting of the British Archaeological Association, Cecil Brent showed Cypriot vases from the second sale of the Lawrence-Cesnola collection, together with gold earrings from tombs Alexander had excavated in the Salamis district2. A skull from Golgoi, labelled CXXII and probably given by Luigi about 1870, and nine skulls from Alexander's Salamis excavations of 1878 and 1879, given in July 1881, went to the Royal Academy of Medicine in Turin. Alberto Gamba's catalogue of 1886 entered the two gifts as one acquisition of 13 skulls; ten survive5.

In 1972 the Institute of Anatomy passed 66 funerary objects from these gifts to the Museum of Anthropology and Ethnography in Turin. Forty-four are now attributed to the Palma di Cesnola collection, ranging from the Early Bronze Age to the Roman period, and their publishers say they cannot tell which brother gave which5. The Turin exhibition catalogue of 2021 credits a White Painted lagynos (inv. 4018) to Luigi's collection of 1870 and a Matt Red cup from Throni (inv. 4039) to Alexander's of 1877. Three sigillata lagynoi (MAE20, MAE22, MAE44) it gives to "Luigi or Alessandro"6.

Life and work

  1. c. 1870
    A skull labelled CXXII, found at Golgoi by Luigi, was probably given to the Turin Academy of Medicine in 1870, at the time of Luigi's large gift of terracottas to the Accademia delle Scienze; the authors rely on Gamba's catalogues, whose originals are lost.

    TurinGianluigi Mangiapane; Giacomo Giacobini (2021). The Palma di Cesnola collections of the University of Turin: history and significance. L. Bombardieri and E. Panero (eds), Cyprus: Crossroads of Civilizations, pp. 38-39, p. 38

  2. July 1881
    Alessandro gave nine skulls from his 1878-79 Salamis excavations to the Craniological and Phrenological Museum of the Royal Academy of Medicine, Turin (curator Alberto Gamba, catalogues of 1881 and 1886). Gamba's 1886 catalogue lists the two brothers' gifts as one acquisition of 13 skulls, all called 'Phoenicians'; ten skulls survive.

    TurinGianluigi Mangiapane; Giacomo Giacobini (2021). The Palma di Cesnola collections of the University of Turin: history and significance. L. Bombardieri and E. Panero (eds), Cyprus: Crossroads of Civilizations, pp. 38-39, pp. 38-39

  3. 1883–1884
    Cecil Brent showed Cypriote vases from the second sale of the Lawrence-Cesnola collection and gold earrings from tombs Alexander di Cesnola excavated in the Salamis district, evidence of the Alexander branch of the family's material reaching London buyers.

    LondonBritish Archaeological Association (1884). Journal of the British Archaeological Association, vol. 40: Proceedings. Journal of the British Archaeological Association 40, p. 221 (leaf 272), p. 221

  4. 1884
    Max Ohnefalsch-Richter's article 'Alterthumsfaelscher auf und mit Cypern' in the Repertorium fuer Kunstwissenschaft says the brothers made false findspot claims 'en masse': many of Louis's 'Golgoi' and 'Kurion' finds, he writes, were not dug at Athienou or Episkopi, nor many of Alexander's Salamis finds between Ayios Sergios and Enkomi. He adds that Alexander showed him how he assembled whole statuettes from fragments, and that Alexander's former foreman Lazari offered him the same glue.

    BerlinMax Ohnefalsch-Richter (1884). Alterthumsfaelscher auf und mit Cypern. Repertorium fuer Kunstwissenschaft 7, p. 280 (leaf 293); leaf 290, p. 280

  5. 1884
    In the same article Ohnefalsch-Richter writes that of the two brothers the 'lion's share' of the deceptions falls to the elder, Louis, though Alexander's findspot statements and restorations are no less unreliable. The article names the Feuardent-Cesnola trial then in progress at the US Circuit Court, New York.

    BerlinMax Ohnefalsch-Richter (1884). Alterthumsfaelscher auf und mit Cypern. Repertorium fuer Kunstwissenschaft 7, p. 280 (leaf 293); leaf 290, p. 276

  6. 1884
    A footnote in the Athens Mittheilungen cites a 'Cesnola-Stern' plate for a Cypriot cylinder seal and says that Menant and Perrot treated Cypriot cylinders inadequately because both relied on the brothers' provenance notes; the passage is cut by a page break, so the author's exact verdict is not quoted.

    Athens(1884). Article on the oldest Greek craft styles, Mittheilungen des Deutschen Archaeologischen Instituts in Athen. Mittheilungen des Deutschen Archaeologischen Instituts, Athenische Abteilung 9, p. 280 ff., p. 280 ff.

  7. 1884
    NamedNamed by Ohnefalsch-Richter (1884, 280) as having made mass false findspot claims and, for Alexander, as joining fragments into whole statuettes; stated as the author's allegation, not a finding. A civil suit, Feuardent against Louis Palma di Cesnola, was then being heard in New York (same issue, leaf 290).

    Max Ohnefalsch-Richter (1884). Alterthumsfaelscher auf und mit Cypern. Repertorium fuer Kunstwissenschaft 7, p. 280 (leaf 293); leaf 290, p. 280; Max Ohnefalsch-Richter (1884). Alterthumsfaelscher auf und mit Cypern. Repertorium fuer Kunstwissenschaft 7, p. 280 (leaf 293); leaf 290

  8. 1972
    The Institute of Anatomy handed 66 funerary objects from the brothers' gifts to the Museum of Anthropology and Ethnography (MAET), Turin. After the museum's closure in 1982 inventory information was lost; 44 objects can now be attributed to the Palma di Cesnola collection, from the Early Bronze Age to the Roman period. The authors say it is not known which come from Alessandro and which from Luigi.

    TurinGianluigi Mangiapane; Giacomo Giacobini (2021). The Palma di Cesnola collections of the University of Turin: history and significance. L. Bombardieri and E. Panero (eds), Cyprus: Crossroads of Civilizations, pp. 38-39, p. 39

Through their hands

1 record
  1. n.d.

    CollectionThe Cesnola brothers collected antiquities at Salamis.

    Kaldeli 2013, p. 62

Connections

4 people
Alberto GambaMax Ohnefalsch-RichterLuigi Palma di CesnolaOlivier MassonThe Cesnola brothers (Luigi and Alessandro Palma di Cesnola)
Sales & giftsDisputesColleagues

Objects

Sources

  1. 1.Max Ohnefalsch-Richter (1884). “Alterthumsfaelscher auf und mit Cypern”. Repertorium fuer Kunstwissenschaft 7, p. 280 (leaf 293); leaf 290.
  2. 2.British Archaeological Association (1884). “Journal of the British Archaeological Association, vol. 40: Proceedings”. Journal of the British Archaeological Association 40, p. 221 (leaf 272).
  3. 3.“Antiquity vol. 27”.
  4. 4.Ulbrich; Kiely (2012). “Britain and Cyprus collections”.
  5. 5.Gianluigi Mangiapane; Giacomo Giacobini (2021). “The Palma di Cesnola collections of the University of Turin: history and significance”. L. Bombardieri and E. Panero (eds), Cyprus: Crossroads of Civilizations, pp. 38-39.
  6. 6.Luca Bombardieri; Elisa Panero (eds) (2021). Cyprus: Crossroads of Civilizations. pp. 327, 330 (catalogue nos. 167-168).
  7. 7.Anna Holly Reeve (2021). “Ancient Cyprus in Leeds: Objects, Networks and Museums from 1870 to 1947”. PhD thesis, University of Leeds.
  8. 8. (1884). “Article on the oldest Greek craft styles, Mittheilungen des Deutschen Archaeologischen Instituts in Athen”. Mittheilungen des Deutschen Archaeologischen Instituts, Athenische Abteilung 9, p. 280 ff..
  9. 9.A. Kaldeli (2013). Roman amphorae from Cyprus: integrating trade and exchange in the Mediterranean. University College London.
  10. 10.<i>Cyprus and the East Mediterranean in the Iron Age: Proceedings of the Seventh British Museum Classical Colloquium, April 1988</i>. By Veronica A. Tatton-Brow (1991).
  11. 11.Max Ohnefalsch-Richter, 1884, Alterthumsfaelscher auf und mit Cypern.
  12. 12.Gianluigi Mangiapane; Giacomo Giacobini, 2021, The Palma di Cesnola collections of the University of Turin: history and significance.
  13. 13.Dr. Hurbert Janitschek, Repertorium für kunstwissenschaft (1876).

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