Scholar
Basch
fl. 1985–1987
Scholar, active 1985–1987. Wrote with Michael Artzy.
Life and work
- 1985With M. Artzy, published the ship graffiti from Kition (Area II: nineteen graffiti on the south wall of Temple 1, and the altar of Temple 4) in Excavations at Kition V, pp. 322-336. They suggested the graffiti and anchors might indicate a mariners' cult and that the temple may have been dedicated to a seafarers' protector, and linked the ships to the Acco graffiti; they did not claim an ethnic identity for the engravers.
KitionHadjikyriakos & Trentin 2015Wachsmann 2009, pp. 319-320Oren 2000
- 1987Published Le musée imaginaire de la marine antique (Athens), cited by the KHM Vienna catalogue for Cypriot Iron Age askoi with ship-form decoration (Basch 1987, 148-149, 254, 257).
Connections
2 peopleScholarship
- Wrote with Michael Artzy1985
- Published material of Vassos Karageorghis1985
On Ancient Cyprus
1 page- Seafaring and Ships in Ancient CyprusCompendium
Sources
- 1.I. Hadjikyriakos (ed.), M. G. Trentin (ed.) (2015). Cypriot Cultural Details. Proceedings of the 10th Postgraduate Cypriot Archaeology Conference (PoCA 2010), October 2010, Venice, Italy. Oxford, Oxbow Books.
- 2.L. Basch, M. Artzy (1985). “Ship Graffiti at Kition”. Excavations at Kition V. The Pre-Phoenician Levels, Areas I and II, Part I, 322-336.
- 3.L. Basch (1987). Le musée imaginaire de la marine antique. Athens.
- 4.L. Basch (1995). “La rentrée des coques dans l'antiquité, exemples à Chypre à l'époque archaïque”. Proceedings of the International Symposium Cyprus and the Sea, Nicosia 1994, 99-118. Nicosia.
- 5.A. Bernhard-Walcher, G. Dembski, K. Gschwantler, V. Karageorghis (1999). Die Sammlung zyprischer Antiken im Kunsthistorischen Museum / The Collection of Cypriote Antiquities in the Kunsthistorisches Museum. Vienna, Kunsthistorisches Museum.
- 6.Shelley Wachsmann (2009). Seagoing Ships and Seamanship in the Bronze Age Levant. College Station, Texas A&M University Press.
- 7.Eliezer D. Oren (ed.) (2000). The Sea Peoples and Their World: A Reassessment. Philadelphia, University of Pennsylvania Museum.