Unnumbered pageScan 19 of 28
ART 312
LECTURE XXIV
-2-
MARCEL DUCHAMP (1887- - born near Rouen - 1913, Nude Descending the Staircase, shown in the New York "Armory Show" - 1914, the first "ready mades" - 1915, arrived in New York; the Stieglitz Group - 1923, gave up painting "for chess" - lives in New York
Nude Descending a Staircase, Hollywood, Pvt. Coll., 1912 The Virgin in the Process of Becoming a Wife, New York, MOMA, 1912 The Bride Stripped Bare by Her Bachelors, (unfinished), 1914-1923
- Studies, 1914: Nine Malix Molds, Paris, Pvt. Coll. The Chocolate Grinder
Bottlerack, Pvt. Coll., Paris, 1914 The Fountain (R. Mutt), 1917 Why Not Sneeze (Rose Sélavy), 1921, Pvt. Coll., Paris
FRANCIS PICABIA (1879- - born in Paris - 1903-1912, painted impressionist, Cubist and "Orphist" pictures - 1913, came to New York; exhibited in Independents; review "291" - 1916, in Barcelona, edited "391"; returned to U.S.
Cover for "291" (edited by Alfred Stieglitz), 1915 Amorous Display, Paris, Pvt. Coll., 1917 Cover for #391: Mona Lisa with Moustache after original by Marcel Duchamp
KURT SCHWITTERS (1887-1948) Collages: "Merz Pictures"; also "Merzreliefs" and "Merzconstructions" Collage, New York, Pvt. Coll., 1920 Eintrittskarte, Merz 456, 1922 Construction, New York, Pvt. Coll.; 1923 Picture with a Light Center, New York, MOMA
HANS ARP (1887- - born in Alsace - 1904, came to Paris; learned of modern painting - 1911, collaborated with Kandinsky on Der Blaue Reiter - 1914, met Apollinaire, Picasso and Cubists - 1915, settled in Zurich - 1920, worked with Max Ernst on Dadaist publications - 1950, travelled to the United States
Colored Wooden Forms, Coll. of Artist, 1917 Relief, Gallatin Collection Growth, Philadelphia, Museum Human Concretion, New York, MOMA, 1935
SOPHIE TÄUBER-ARP, Dada Head, 1920
MAX ERNST (1891- - The Two Ambiguous Figures, Pvt. Coll., 1919 The Chinese Nightingale, 1920 Title page for Die Schammade (Dadameter), 1920
65 figures hard to readstruck struck outadded written in above” jug ditto, and what it repeatsword reading not certain
